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  Composers
 Beth Anderson
"At the start of the twenty-first century, composer Beth Anderson is one of the most exciting personalities on the American classical music scene, bucking trends of formalism and attempting to make touch with her inner self, tastes and identity in her music."
- David N. Lewis, Assistant Classical Editor, All Music Guide

"Anderson's Postminimal Music Can be Charming and Deeply Felt to the Point of Romanticism."
-Village Voice


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 Frank William Brazinski
"(the Legend of Sacajawea) Caught All of Us Up In Its Evocative Power"
- Seattle Times

  • Extensive Chamber, Instrumental, Concert Band & Vocal Catalog
  • 1995 and 1997 Pulitzer Prize Nominee
  • Composer-In-Residence, Britten On the Bay Festival & the Gramercy Brass (1996)
  • Brazinmusikanta Publications

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  James Cohn
"Mr. Cohn Has Technical Skill, An Inventive Musical Imagination, a Flair for Setting Text to Music and a Sense of Humor. All these Qualities Are As Rare As they Are Admirable, and It Is to be Hoped That Mr. Cohn Will Soon be Heard From Again."
- New York Times

"James Cohn's Music Is Light and Gay Yet Thoroughly Classical....Chief Characteristics Are Brevity, Wit and Clarity; Cohn's Melodies Are Charming."
- Fanfare


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 Michael Colina
"Whenever music is with me and I am composing, I seek above all: consequence and its accompanying beauty!"
- Michael Colina

  • Read His Fall 2007 SoundRoom Newsletter Here
  • See a New Video of Anastasia Khitruk Performing Michael Colina's Der Golum for Solo Violin at http://www.youtube.com/watch?v=teW--JK0VRY
  • Read Michael Colina's New Blog About His Trip To Brazil Here
  • Michael Colina's "Nesting Dolls" To be Performed by Chamber Orchestra Kremlin
  • Upcoming Brazil Premieres, Tour & Recording. Read About Them Here
  • Biographical Sketch
  • Recipient of Commissions From Boston Ballet, North Carolina Dance Theatre, Pauline Koner Dance Ensemble, Charlotte Singing Christmas Tree.
  • Multifaceted Producer and Composer of Over 30 Jazz CDs, Including Work With Bob James, George Benson, Earl Klugh and David Sanborn
  • Winner of Two Grammy Awards for Jazz Production
  • List of New Works
  • Website: http://www.michaelcolina.com

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  Lawrence Dillon
"The Evening's Freshest Encounter Was Dillon's First Symphony, Written Brilliantly for Its String Choirs and Demonstrating That Every Modern Symphony Doesn't Require Steroidal Brass and Percussion forces. Dillon Argues His Case Principally Through Strings and Woodwinds, Flavoring the Mix With a Pair of Horns. Propulsive Energy Defines the First and Third Movements, Which Possessed Exceptional Structural Rigor and Harmonic Richness. Even More Remarkable Was the Second Movement - A Slow, Ghostly Sequence With Slightly Freakish Double-Bass Solos and Small, Plaintive Exclamations From the Oboe. the Entire Symphony Testifies to the Composer's Compelling, Innate Soulfulness."
- Louisville Courier-Journal

"Lawrence Dillon's Flute Concerto ... Is Truly An Outstanding Work. Cast In a Three-Part Movement form, the Piece Successfully Maintained An Extremely Coherent and Powerful Dramatic Flow ... Dillon's Unique Compositional Voice Clearly Makes Itself Heard. [A] Passionate and Often Unpredictable Work."
- Charlotte Leader

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  Salvatore Di Vittorio
Composer and Conductor
"With restrained, but ever clear, baton technique, Di Vittorio immediately had the orchestra crisp in its rhythms. [He] and the orchestra maintained tight control in the inevitable Rossini crescendi. Rossini loved life and this performance [of the Semiramide Overture] brought the listener a great deal of that joy of living. The performance [of the Clarinet Concerto] had everything that a Mozart masterpiece required [including] a totally attentive orchestra to the interplay required for a top notch performance. and top notch it was. In the second movement there were passages of the most delicate pianissimos that made you simply hold your breath. and Di Vittorio induced from the orchestra highly sensitive string playing. [In the first movement of Dvorak's New World Symphony,] the orchestra, with a more animated Di Vittorio, made eminently clear the Czech composer's feelings about the United States. The religious-sounding chorale had the orchestra sounding like a glorious pipe organ Di Vittorio's strong beat and cueing kept everything moving smoothly. The final movement evidenced a confident orchestra completely engrossed in the power of the music. So too was the audience, whose enthusiastic applause was of a magnitude that said only one thing: 'Well, Done!' Di Vittorio's leadership evidenced a natural and significant talent."
- James Pegolotti, Danbury News Times

"I strongly believe in Maestro Di Vittorio's talent not only as an elegant conductor, but also as a gifted composer. His conducting style follows and respects the tradition of the Italian schools. After studying his symphonies and opera, I praise his beautiful compositions, his tonal melodic lines combined with original harmonic treatment and rhythmic vitality."
- Maestro Piero Bellugi, Former Artistic Director of Teatro Massimo Opera of Palermo

  • Founding Music Director of Chamber Orchestra of New York
  • Salvatore Di Vittorio Guest Conducts The Danbury Symphony. Read a Review Here.
  • Represented for Conducting by Price, Rubin & Partners. Visit him at their website
  • San Jose Chamber Orchestra presents West Coast Premiere of Salvatore Di Vittorio's Sinfonia No. 1., "Isolation." Read a Review Here.
  • Read Reviews and Comments About His Performances Here
  • Read the Fall 2003 Issue of Sinfonia Quarterly Newsletter Here
  • Assistant Conductor to Gaetano Colajanni of Orchestra Accademia Musicale Siciliana of Palermo.
  • Music Director and Conductor of Loyola Orchestra and Chorus, Loyola School of New York. Visit them Online at http://www.loyola-nyc.org
  • Composer-in-residence with Chamber Ensemble of Rome, Florence Symphonietta, and Accademia Musicale Siciliana of Palermo
  • Published by Carisch of Warner Bros./Edizione Panastudio in Italy - Website: www.carisch.it. CDs Available On the Panastudio Label; Mailto: Panastudio.Oasi.net
  • Commissions include the Opera "Romeo E Giulietta" for a presentation to the Teatro Massimo Opera of Palermo
  • Premieres of Symphonies include Teatro Massimo Opera Orchestra, Orchestra Filarmonica Franco Ferrara, San Jose Chamber Orchestra, Festival Sinfonietta Umbria of Perugia, Chamber Ensemble of Rome, Florence Symphonietta, Accademia Musicale Siciliana, Orvieto Music Festival
  • Website: www.salvatoredivittorio.com

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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  Steven R. Gerber
"Steven Gerber's Violin Concerto...Is A Major Addition to the Contemporary Violin Repertoire: Lyrical, Passionate, Dramatic, Beautifully Tailored to the Instrument's Character and Capabilities."
- the Washington Post

(Chandos CD) "...Each Work Is An Important Addition to Music In the Late 20th Century, Its Sense of Evolution From Previous Generations Welcome at a Time When Change Seems to Have Become a Virtue In Itself."
- Fanfare

(Chandos CD) "Every Once In a While, Something Comes Along That Is So Striking That the Usual List of Influences, Metaphors, and Descriptors Becomes Superfluous. Such Is the Case With Steven Gerber's First Symphony...the Three-Movement Work Held Me Mesmerized and Fascinated for Its Entire 25-Minute Length...What Is Found Is Expressive Lyricism, Searching Mystery, and Strucutral Cohesion..."
- American Record Guide


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 Charles Griffin
"...integrated and ordered the vernacular elements so beautifully in the overall structure that the whole is really more than the sum of its parts, not at all an easy task with this kind of genre synthesis."
""...a pulsing, fast, free-flowing piece of tight, dense textures and few open spaces, save for an island of rather uneasy repose in the middle."

  • Read From the Faraway Nearby - The Newsletter of Charles Griffin Here
  • Choral Music of Charles Griffin to be Performed at Lawrence University In Appleton, Wisconsin
  • Piano Music of Charles Griffin To be Performed In Latvia and Mexico
  • Vernacular Dances by Charles Griffin To be Performed by Pianist Hugh Sung In Pennsylvania
  • Jubilate Deo by Charles Griffin To be Performed by The Amuse Singers In New York City
  • The Far Field by Charles Griffin To be Performed by Soprano Melissa Fogarty In New York City
  • Flute Music of Charles Griffin To be Performed In Rome, Italy
  • Hear Charles Griffin's New Online Interview With Noizepunk and Das Krooner. Click On Show No. 15.
  • Choral and Chamber Music of Charles Griffin To be Heard In New York City
  • Chamber and Choral Music of Charles Griffin To be Heard In Ten Cities Throughout The United States
  • Hear Charles Griffin's New Online Interview With Noizepunk and Das Krooner. Click On Show No. 13.
  • Commissions, recordings and/or performances by: Amherst Sax Quartet, Ana Cervantes, Concora, Dale Warland Singers, Ethos Percussion Group, Exit 9 Percussion, Joe Gramley, Imani Winds, Lyric Arts Trio, Mariah Wind Trio, Teresa McCollough, Meridian String Quartet, Peninsula Women's Chorus, Piedmont Choirs, Putni, San Francisco Choral Artists, Quintet of the Americas, and Antra and Normunds Viksne.
  • Performances at major conventions, competitions and venues: National Flute Association, Percussive Arts Society, American Choral Directors Association, World Piano Pedagogy Conference, the Chorolympiade in Linz, Austria, the Béla Bartók International Choir Competition in Debrecen, Hungary, Weill and Merkin Recital Halls in New York, and The Kennedy Center in Washington D.C.
  • Performances at major festivals: International Cervantino Festival (Guanajuato, Mexico), September Chamber Music Festival (Riga, Latvia), Santa Cruz New Music Festival, SpoletoUSA Festival (Charleston, South Carolina), Aspen (Colorado) and Dances with Films (Los Angeles).
  • Grants from Queens Council on the Arts, American Composers Forum, Meet the Composer, American Music Center, ASCAP, the Wolfensohn Family Foundation and the Greenwall Foundation.
  • Recordings by Ethos Percussion Ensemble, Goldspiel-Provost Guitar Duo (G/PD 2784-3) and percussionist Joseph Gramley (Towerhill CD TH-72003)
  • Visit Charles' MySpace page
  • Web site: www.charlesgriffin.net

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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  Brian Wilbur Grundstrom
"Many audiences cringe at the thought of new music. We had such positive feedback from audiences on how much they enjoyed Brian Grundstrom's work, Celebration. It is modern, yet tonal, enjoyable, and playable."
- Erik E. Ochsner - Music Director SONOS Chamber Orchestra

"the music of Brooklyn-based composer Brian Grundstrom draws on a wide palette of influences, notably the celebrated 'Americana' style of Aaron Copland, with its sturdy harmonies and open spaces. Yet Grundstrom brings a distinctive approach to tonality, maintaining an essential tonal foundation while avoiding key signatures. 'the absence of a key signature gives me the freedom necessary to use tonality in more interesting ways, letting my ear guide my music along its path.'"
- Brian Wise

  • World Premiere of Jubilation by Brian Wilbur Grundstrom To be Performed by George Washington University Orchestra. Read a Washington Blade Story About The Premiere Here. Read a Du Pont Current Article About The Premiere Here.
  • See Brian Wilbur Grundstrom's Latest Concert Info and Mp3s Here and Here.
  • Brian Wilbur Grundstrom's Celebration! for Chamber Orchestra to be Presented by Pennsylvania's Festival Chamber Orchestra
  • Brian Wilbur Grundstrom's Music Ii for Wind Quintet to be Presented by Trinity Chamber Players In Alexandria, Virginia
  • Brian Wilbur Grundstrom's Celebration! to be Presented by Trinity Chamber Orchestra on January 16
  • Read the Spring 2006 Issue of Celebration! the Newsletter of Composer Brian Wilbur Grundstrom.
  • Celebration! commissioned and performed by Erik E Ochsner/SONOS Chamber Orchestra
  • Innovative use of tonality without key signature - melodic and accessible
  • Professional orchestration realization using Vienna Symphonic Library and GigaStudio
  • Private study in orchestration and composition with John David Earnest since 1996
  • Performed own piano compositions at Steinway Hall in New York City
  • Served on the Council for the New York Chapter of the American Composers forum since 1996
  • Awarded an American Composers forum's Performance Incentive Fund grant with pianist Craig R. Johnson
  • Twice been a finalist in the Composer's Guild Composition Competition
  • Eight year baritone in New York City Gay Men's Chorus
  • Sixteen years in Information Technologies at the Brooklyn Academy of Music
  • Currently in Information Technologies at the Washington National Opera
  • BA in piano performance from Gettysburg College
  • Website: http://www.brianwilbur.com/

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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 Barbara Harbach
"nothing short of brilliant"
- Musical America

"Harbach plays her own Spaindango, once again to the glory of the 16ft stop. This is a fetching piece, full of antique flourishes mixed with 20th-century rage and madness, a cauldron of churning notes."
- CD Review

"An excellent piece on this well-known hymn (Fanfare and Toccata on "Lasst uns Erfreuen" (All Creatures of our God and King) for Organ, VIV 306), it is more musically interesting than many toccata pieces in that the tune, set against a bell-like figuration based on fourths and the pentatonic scale, is never played entirely in one key. The piece goes through several keys, ending in E-flat, the key in which the tune most often appears in hymnals. It is a musically interesting and useful piece on a frequently used tune."
- Clavier


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  Christopher Kaufman
"...Kaufman Is Among the Most Deeply, Strikingly Talented Composers We Have Ever Encountered, Anywhere... a True Composer, Someone Sure to Contribute Significantly to This Country's Musical Culture."
- Steven Stucky, former Composer-In Residence,
Los Angeles Philharmonic/Chairman of Music - Cornell University

"...An Exceptional Talent In Every Way... He Produces Music at An Almost Alarming Rate..."
- Donald Erb former Composer-In-Residence,
St. Louis and Dallas Symphonies, Professor at Cleveland Institute of Music

"... Decisively Gifted With a Unique and Individual Voice... An Astonishing Catalogue of Characteristic Works All Bristling With force, Energy, As Well As Tender Expressiveness."
- Yehudi Wyner, Professor of Music, Brandeis University

  • Read the Winter 2008 issue of Kaufman Notes here.
  • Hear Christopher Kaufman's Music for a New Series of Short Films Here
  • Hear examples of his 'Rhythm Streams' - which have a variety of contexts from film to commercials to works for dance. Snowbell Rhythm, Walking, Rhythm Stream and Solo, Dance Macabre.
  • Many More Links to Sound Samples at http://www.chkaufman.com/
  • Read the Premiere issue of Chiron Notes here.
  • A Quick Guide to the Music of Christopher Kaufman
  • Co-Facilitates the American Composers Alliance Festival of American Music
  • Write/Reviews for the New Music Connoisseur New Music Magazine.
  • Founder/Director of Chiron Performing Arts, Which Has Presented the Work of Hundreds of Artists of All Disciplines. Email jmusic800@optonline.net for More Information.
  • Many Commissions and Performances. Composed Many Works for a Wide Variety of Media Including Solo Works, Chamber, Ballet, theater Pieces, Wind Ensemble, Concertos and Full Orchestra (Refer to His Website for List of Works).
  • Kaufman's Island (Pron. Eeeslahnd) for Narrator and Full Orchestra Was Premiered by Sw Minnesota Orchestra.
  • Growing the Young Artist Component of the Chiron Performing Arts Festival. He Has Created a Unique Teaching System Which Has Young Students Composing Immediately and Teaches a Large Studio of Private Students. Creating a Cultural Exchange Project With Ukraine Using these Compositions.
  • Website: http://www.chkaufman.com

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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  Meyer Kupferman & Soundspells Productions
"One of Our Native Music's Most Flamboyantly Individualistic Creators"
- Fanfare


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  Elodie Lauten
"A Seminal Figure ... One of the Leading Postminimal Composers."
- the Village Voice

"A force On the New Music Scene."
- Fanfare

"Elodie Lauten Is Set to Become a Fixture Of Future Musical Lexicons."
- New Hope International

  • Read the 2007-2008 Issue of the Elodie Lauten Newsletter
  • Screening of Elodie Lauten Orfreo Performance Video at Ny Studio Gallery
  • Elodie Lauten Ensemble Live Videotaping In New York for Avenue B - The Show
  • Elodie Lauten Announces Availability for CD Production - Brings More Than 25 Years Experience to This Service
  • Read Elodie Lauten's Essay "Skirting the Post-Classic Stretch" for American Music Center's Newmusicbox
  • The New York City Opera Presents Elodie Lauten's "Waking in New York" - Based on Texts by Allen Ginsberg
  • Read a New Article About Elodie Lauten's Waking In New York at Sequenza 21.
  • Waking In New York - Elodie Lauten's Musical Portrait of the Great American Poet Allen Ginsberg - Read a Review of the 4tay CD Here and Here. Hear Excerpts of the Piece Here.
  • New York Premiere of Elodie Lauten's Symphony 2001 With Orchestra of the S.E.M. Ensemble On Feb. 13, 2003 - More Information About the Symphony At New Music Jukebox.
  • One of the World's Leading Electronic Keyboardists
  • Pioneer Of Post-Minimalism and Experimental Music
  • Multifaceted Recording Artist With 18 Releases To-Date, With Lovely Music, New Tone, O.O. Discs, 4tay, Tellus, Frog Peak Music, Nonsequitur, Point/Polygram And Capitol
  • Cross-Over Artist From Electronica to Jazz to Classical Piano (One of Her Piano Pieces Is On the Chamber Music America Century List of 100 Best Works of the 20th Century), Chamber, Orchestral, Operatic and Vocal Music, With Many Successful Settings of Texts From Verlaine To Ginsberg
  • Multimedia Artist Whose Work Includes Drawings, Computer Art, Video and Installations
  • Website: http://www.elodielauten.net

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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  Benjamin Lees
"So Personal, So Distinct, So Assertive Are the Stylistic and Idiomatic Usages In the Works of Benjamin Lees That An Immediately Recognizable Gestalt Is formed From An Attentive Perusal of His Scores"
- Nicolas Slonimsky


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  Dan Locklair
"...A Composer of Extraordinary Ingenuity"
- Herman Trotter, Buffalo News

"...A Compositional Tour-De-force ...Music Any Composer Would be Proud to Write"
- Music In Concert/ American Record Guide


for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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  John Mock
"John Mock is an arranger and composer who knows how to feature the orchestra while fuseing classical, folk and popular styles into powerful works."
- Paul Gambil, Music Director Nashville Chamber Orchestra
"His orchestrations are simply lovely."
- Robert K. Oermann, Music Row Magazine
"For original compositions, John has masterfully resurrected the history and magic of a land everyone forgot they came from. I can't help but think that hidden somewhere in the Celtic knotwork of the forgotten years, down all those days, there is a monk in a dimly lit corner of the monastery with headphones on, candle goin', tapping his foot under the inspiration of a fine fella named John. and no, I'm not 'is ma."
- Amazon.com Reviews
  • Read John Mock's New Blog Here
  • Read John Mock's New Newsletter Here.
  • New CD From Composer John Mock - "The Day at Sea"
  • Has worked as a multi-instrumentalist with such notable artists as the Dixie Chicks, Nanci Griffith, Maura O'Connell, Sylvia, Kathy Mattea, and Mark O'Connor.
  • Written dozens of commissioned orchestral arrangements for various recording artists including the Dixie Chicks, Nanci Griffith, Kathy Mattea, Maura O'Connell, and Cherish The Ladies. These works have been performed by orchestras throughout America and abroad, including the London Symphony Orchestra, the National Symphony Orchestra, and the Atlanta and Nashville Symphonies.
  • Commissions from the Nashville Chamber Orchestra with appearances as a featured soloist in a number of NCO concerts and recordings.
  • Has sold over 100,000 albums.
  • Website: http://www.johnmock.com/ 

for More Information, Email Jeffrey JamesJamesarts@Worldnet.Att.net
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