JAMES COHN: 2003 COMPOSITION CATALOG
(Musical Compositions & Arrangements, showing almost all of the CONCERT WORKS, by separate Categories)

[A KEY to PUBLISHER-ABBREVIATIONS is given at the end of this catalog]

Symphonies
Symphony No. 1 in E-flat, Op. 11 (1947)
1(+picc)-1-2-altosax,barsax-2(1=cbn)/2-1-2-1/timp-1perc(glock)/str (17:00) X
Symphony No. 2 in F, Op. 13 (1949)
2(1=pic)-2(1=CA)-3(1=bcl)-altosax-2(1=cbn)/2-1-2-1/timp-1perc(glock)/str (23:30) X
Symphony No. 3 in G, Op. 27 (1955)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str (21:10) X
Symphony No. 4 in A, Op. 29 (1956)
1(+pic)-1-1-altosax-1/timp-2perc(chime,glock)/str (15:30) X
Symphony No. 5 in B-flat, Op. 32 (1959)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-2perc(glock)/str (22:30) X
Symphony No. 6 in B, Op. 43 (1965)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str (18:40) X
Symphony No. 7 in D, Op. 45 (1967)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str (19:32) X
Symphony No. 8 in C, Op. 54 (1978)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str (16:19) X

Music for Symphony Orchestra and Other Large Ensembles

Andante and Hungarian Rondo, Op. 64a (for Clarinet and Orch.)[also available for Cl. & Pf.](1987-89) (Music by Carl Maria von Weber, ed. & arr. by J. Cohn)
2-2-1-2/2-2-0-0/timp/str (9:41) X
Caprice, Op. 77 (1998) (Little Suite, for 8-voiced Clarinet Choir, incl. Bb Cls. I, II & III)
(10:50) X
Concertino for Piano & Orch., Op. 8 (1946)
2(+2picc)-2-2-2/2-0-0-0/timp-2perc/pf/str (22:00) X
Concerto in A, Op. 44 (1966)(for Concertina or Violin, with String Orch.) (15:27) X
Concerto No. 1 for Clarinet and String Orchestra, Op. 62 (1986) (12:34) X
Concerto No. 2 for Clarinet & String Orch., Op. 75 (1996)
(a.k.a."Evocations" or "3 Evocations") (14:27) X
Concerto for Piano & Orch., Op. 79 (2000)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/pf/str (14:26) X
Concerto for Trumpet and Strings, Op. 76 (1996) (12:45) X
Enchanted Journey, Op. 35 (1961) (2 Scenes for a Fairy-Tale Ballet)
1(+pic)-1-1-altosax-1/1-1-1-0/timp,2perc/(xyl)/hp/str (18:45) X
The Fall of the City, Op. 17 (1952) (1-Act Opera)(Text: Archibald MacLeish)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/hp/str (30:00) R
Evocations: SEE: Concerto No. 2 for Clarinet & String Orch.
Homage, Op. 31 (an Overture) (1959) (for Orch.)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str (6:00) X
Israfel, Op. 24 (1954) (for High Voice & String Orch.) (Text: Edgar Alan Poe) ( 2:50) X
The Little Circus, Op. 51 (1974) (Suite for Orch., with optional Strings)
1(+pic)-0-2-1(+cbn/2-2-1-1-1perc/str(optional) (6:13) BH
Little Suite: SEE: Caprice (for Clarinet Choir)
March-Caprice, Op. 58 (1982)(for Bassoon & String Orch.) ( 3:27) X
Miniatures, Op. 25 (for Piano or Orch.) (1954; Orchestrated 1975)
0-1-1-0/0-1(+flg)-0-0/str (14:07) X
Mount Gretna Suite, Op. 69 (for 13 Players)(1991)
1-0-1-1/0-0-0-0/pf/str (2-2-2-2-1) (16:50) X
Music for Strings (for String Orch.)(Arr. from the 1950 String Quartet No.2, Op. 14)
(15:00) X
Prometheus, Op. 37 (An Overture)(1962)
1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc/str ( 6:10) X
Sinfonietta in F, Op. 6 (1946)
1(+pic)1-2-1/2-0-0-0/timp-glock/str (13:15) X
A Song of the Waters, Op. 53 (Variations on "Shenandoah") (1976)
1(+picc)-1-1-altosax-1/1-1-1-0/timp-2perc/str (6:22) X
Variations on "John Henry", Op. 46 (1968)
(for Concert Band [or Wind Ensemble] or Orch.)
[Orch.:] 2(1=pic)-1-2-altosax-2/3-3-3-1/timp-2perc(glock)/str ( 4:15) X
[Band:] 5(1=picc)-1-Eb cl-12(4-4-4)-2 bcl-altosax-1/2-3(3=cnt,opt)-3-4(2=eu or bar)/timp-2perc(glock)/str.bass(optional) ( 4:15) X
Variations on "The Wayfaring Stranger", Op. 34 (1960)(for Orch. or Wind Ensemble)
[Orch.:] 1(+pic)-1-1-altosax-1/1-1-1-0/timp-1perc(chime)/str (10:35) X
[Wind Ens.:] 5(1=picc)-1-Eb cl-12(4-4-4)-2 bcl-altosax-barsax-1/2-4(2=cnts)-3-4(2=eu)/timp-1perc(chime)/str.bass(optional) (10:51) X
Waltz in D (1957-62)
2(1=pic)-2-2-alto sax(opt)-2/2-2-3-0/timp-1perc/hp(opt)/str ( 3:00) X

SOLO-INSTRUMENTAL AND CHAMBER MUSIC

Andante and Hungarian Rondo, Op. 64a (for Clarinet and Pf.)
[also available for Cl. & Orch.](1987-89)
(Music by Carl Maria von Weber, edited & arranged by James Cohn (9:41) X
Arkansas Reel, Op. 72a (for Wind Quintet) (1994) (2:00) X
Baroque Suite (Suite in D), Op. 39 (1963)
(for solo Flute, or Oboe, or Violin, or Saxophone) (8:47) X
Capriccio, Op. 36c (for Clarinet & Pf.)
(arranged 1983 from the finale of String Quartet No. 3) ( 5:19) X
Caprice, Op. 77 (1998) (Little Suite, for 8-voiced Clarinet Choir) (10:50) X
Concerto da camera, Op. 60 (1982) (for Violin, Piano & Woodwind Quintet) (19:11) X
Concerto No. 1 for Clarinet, Op. 62 (1986) (Arr. for Cl. & Pf.) (12:34) X
Concerto No. 2 for Clarinet,Op. 75 (1996) (a.k.a."Evocations"or"3 Evocations")
(Arr.for Cl. & Pf.) (14:27) X
Concerto for Piano & Orch., Op. 79 (2000)(Reduction, for 2 Pianos) (14:26) X
Duo in C, Op. 19 (Sonata for Violin & Viola) (1951) (10:00) X
Evocations: SEE: Concerto No. 2 for Clarinet.
Five Psalm Dances, Op. 50 (1971) (Cantata for Sopr., Bar., SATB Cho. & 6-piece Jazz Combo)
(11:20) X
The Goldfinch Variations, Op. 61 (1984) (for 3 Treble Instruments) (5:39) X
Little Overture, Op. 59 (for 4 Wind Insts.) (1982) ( 3:09) X
Little Suite: SEE: Caprice (for Clarinet Choir)
Miniatures, Op. 25 (1954)(for Piano) (14:07) X
Passacaglia, Op. 41 (for Trombone alone) (1964) (6:20) X
Quartet for Piano and Strings, Op. 73 (1995) (11:46) X
Quartet No. 2 for Strings, Op. 14 (1950) (15:00) X
Quartet No. 3 for Strings, Op. 36 (1961) (14:47) X
Quintet No. 1 for Winds, Op. 36b (arranged 1981 from String Quartet No. 3) (15:00) X
Quintet No. 2 for Winds, Op. 70
(arranged 1992 from the Septet for Winds & Strings, Op. 10) (11:10) X
Serenade, Op. 68 (Trio for Flute, Violin & Cello)(1990) ( 9:36) X
Septet for Winds & Strings, Op. 10 (1947) (12:36) X
Sextet for 5 Winds and Piano, Op. 12 (1948) (14:05) X
Sonata in A, Op. 19 (for Cello alone)(1953) (6:55) X
Sonata in E, Op. 33 (for Violin alone)(1959) (12:20) X
Sonata in E, Op. 40 (for Clavichord)(1964)
(a.k.a. Piano Sonata No. 3, Op. 40a) (13:51) X
Sonata for Flute and Piano, Op. 52 (1974) (9:00) G
Sonata for Horn and Piano, Op. 67 (1988) (9:15) X
Sonata for Oboe and Piano, Op. 65 (1988) (10:44) X
Sonata No. 1 for Piano, Op. 9 (1947) (16:22) X
Sonata No. 2 for Piano, Op. 28 (1956) (12:15) X
Sonata No. 4 for Piano, Op. 57 (1981) (10:26) X
Sonata No. 5 for Piano, Op. 63 ("A Slightly Blue Sonata")(1986) (9:52) X
Sonata for Viola and Piano, Op. 64 (1987) (7:53) X
Sonata Notturna, Op. 71 (1993)(for 2 Flutes & Piano)(or for Flute, Oboe & Piano) (8:51) X
Sonata Romantica, Op. 18 (1978) (for Double Bass [or Cello or Bassoon] & Piano)
(10:10) L
Sonata Robusta, Op. 55 (1980) (for Bassoon [or Cello] & Pf.) (10:23) X
Sonatina for Clarinet (or Viola) and Piano, Op. 56 (1981) (8:09) X
Strutting Butterflies (for Piano or Wind Quintet) ( 2:00) X
Suite, Op. 72 (1994)(for Clarinet & Guitar)
("Entre Dos Mundos")("Between Two Worlds") (14:56) X
Suite Champetre, Op. 47 (1968)(after Rameau) (for Wind Quintet) ( 8:04) X
Three Evocations: SEE: Evocations
Three Pieces for Clarinet alone, Op. 78 (1999) ( 8:41) X
Trio, Op. 66 (for Piano, Violin & Cello)(1988) ( 9:00) X
Trio, Op. 74 (for Clarinet, Violin & Piano)("Trio con brio")(1995) ( 8:41) X
Twelve Variations on an Original Theme, Op. 2 (1944)(for Piano) (13:37) X
Waltz in D (for Piano)(1957-62) (3:00) X

VOCAL AND CHORAL MUSIC

Ah! Sunflower (from 4 Songs, Op. 49)(for SATB Chorus & Piano)(1969-70)
(Text: Wm. Blake) (1:45) X
Come Holy Spirit, O Heavenly Dove (for SA or SATB Cho., with Pf.)(1972)
Text: Isaac Watts) (2:00) X
The Constant Lover (from Songs, Op. 15)(1950)(for SATB a-cappella)
(Text: Sir John Suckling (2:00) X
The Fall of the City, Op. 17 (1952)(1-Act Opera)(Redn.forVo.& Pf.)
(Text: Archibald MacLeish) (30:00) R
Five Psalm Dances, Op. 50 (1971)
(Cantata for Sopr., Bar., SATB Cho. & 6-piece jazz combo) (11:20) X
Follow Your Own Star (1972) (for SATB Chorus & Piano)(Text: Composer) (1:22) X
Four Psalms, Op. 20 (1953)(for SSA Chorus & Pf.) (6:55) X
Israfel, Op. 24 (1954)(for High Voice & Pf.)(Text: Edgar Alan Poe) (2:50) X
Kind of an Ode to Duty (from Op. 15)(1950) (for SATB Chorus, a-cappella)
(Text: Ogden Nash) (1:52) R
The Lama (1957-69) (for SATB Chorus, a-cappella)(Text: Ogden Nash) (1:34) BRN
One From One Leaves Two (from Op. 15)(1950)(for SATB Chorus, a-cappella)
(Text:Ogden Nash) (1:12)R
Reflections, Op. 23 (1954) (6 Songs for SATB Chorus, a-cappella)
(All texts P. D.) (10:10) X
Sharin' (Song, for Voice & Pf.)(1971) (Text: Composer) ( 2:00) X
So We'll Go No More A-roving (from 4 Songs, Op. 49) (1972) ( SATB & Pf.)
(Text: Byron) ( 1:00) X
Statues In the Park, Op. 42 (1964) (8 Songs for SATB Chor., a-cappella)
(Text: Felicia Lamport) (10:45) R
The Terrible People (from Op. 15)(1950) (for SATB Chorus, a-cappella)
(Text: Ogden Nash) ( 2:00) R
The Time I've Lost In Wooing (from Op. 15)(1950)(for SATB a-cappella)
(Text: Thos. Moore) ( 3:00) X
Three Phases of Love, Op. 48 (1969) (for SATB chorus, a-cappella)
(Text: W. H. Auden) ( 8:19) R

KEY TO PUBLISHER-ABBREVIATIONS

BH: Boosey & Hawkes, Inc., 35 E. 21st St., New York , NY 10010-6212
Telephone (212) 358-5300
Rental Dept.: 52 Cooper Square, 10th Floor, New York, NY 10003
Telephone (212) 979-1090]
Website - http://www.boosey.com/publishing/
BRN: Bourne Co., 5 W. 37th St., New York, NY 10018
Telephone (212) 391-4300
Website - http://www.bournemusic.com/
G: Galaxy Music, c/o ECS Publishing, 138 Ipswich St., Boston , MA 02215-3534
Telephone (617) 236-1935
Website - (ECS Publishing) - http://www.ecspublishing.com/
L: Liben Music Publishers, 1191 Eversole Road, Cincinnati, OH 45230
Telephone: (513) 232-6920
Website - http://www.liben.com/
R: RESTRICTED USE: This work may not be performed, printed, rented or sold without first obtaining written permission for the (specified) use of the lyrics, from the owners of the copyright for same.
X: XLNT Music, Inc., 38-62 240th St., Little Neck, NY 11363-1301
Telephone/Fax (718) 279-4139
Email - Jimusician@aol.com

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