![]() Dan Locklair's Pater Noster has been recorded for Priory Records hy the Choir of The Abbey School of Tewkesbury, England, directed by Benjamin Nicholas with organist: Carleton Etherington. The new CD PRCD 787 - Pater Noster, Settings of the Lord's Prayer also includes recordings of works by Palestrina, Stravinsky, John Tavener, Frank Martin, Josquin Desprez, Maurice Durufle and Henryk Gorecki. You can find more about the recording on the net at http://www.priory.org.uk/. Pater Noster was written in 2000 as a Motet for SSAATTBB chorus, a cappella by Subito Music Publishing. They can be reached at (973) 857-3440 or mail@subitomusic.com. You can also visit their website at http://www.subitomusic.com/. A native of Charlotte, North Carolina, Dan Locklair holds a Master of Sacred Music degree from the School of Sacred Music of Union Theological Seminary in New York City. . His compositional output, influenced by a wide variety of traditions, ranging from Medieval to modern music, includes symphonic works, a ballet, an opera, and numerous solo, chamber, vocal, organ and choral compositions. His music has been performed throughout Europe and North America by many major orchestras, choral groups, chamber ensembles and soloists. Several of these works have received major awards, including the 1989 Barlow International Competition Award for changing perceptions & Epitaph and the 1996 American Guild of Organists Composer of the Year Award. Among his other honors are consecutive ASCAP Awards since 1981 and a Kennedy Center Friedheim Award. His latest CD, Dan Locklair Orchestral Music (Albany Records Troy 517), has been released to great critical acclaim. For more information about the CD, please visit http://www.jamesarts.com/releases/july02/DL_cd.htm. For more information about composer Dan Locklair, including a bio, list of works, discography and much more, please visit http://www.locklair.com. He is represented by Jeffrey James Arts Consulting - 516-586-3433 - phone and fax, to whom inquiries about his music can be directed.
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